Catch-22
August 28th, 2007
The book is set in an American bombing squadron stationed in Italy during the end of the second world war. It mainly follows the life and actions of its main protagonist named Yossarian who is paranoid because it seems to him that everyone is out to kill him. The Germans are trying to bomb his plane and those who are not trying to kill him directly are trying to do so indirectly by sending him on more bombing missions so that the Germans could bomb his plane. The problem with him is that as soon as he finishes the required number of bombing missions before he could be sent home, his commanding officer increases the required number. In this grim scenario, the only way by which Yossarian could avoid getting killed is by feigning physical or mental illness and spending his time in the army hospital and wait for the war to get over. In this pursuit he approaches the army doctor to see if he could be grounded if he could prove that he was crazy. Its here that the full import of Catch-22 is presented before the reader:
" There was only one catch and that was Catch-22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.
"That's some catch, that Catch-22," he [Yossarian] observed.
"It's the best there is," Doc Daneeka agreed.
"
The book is a masterpiece of circular logic and hilariously dumb scenarios. It moves effortlessly between numbing absurdity and grotesque reality. Through its characteristic frankness which often borders on revolting intimacy, it makes you see the futility of a world gone wrong. Heller has woven the throbbing and pulsating images of dying children, utter devastation, crass commercialism, and mindless patriotism with perseverance, honesty, morality and purity. And he has done all this over the backdrop of a language that is brutally funny and frighteningly incisive.
Yossarian, as it seems to me, is the second most insane person in his squadron. But he needs all his insanity to grasp the magnitude of the insanity of war itself. Just like the way you need to be stupid to appreciate Ekta Kapoor, you need to be crazy to realize the futility and absurdity of nations fighting against each other over arbitrary non-geographical boundaries. When you come to think of it, man hardly seems to be the most intelligent animal when he has screwed up the situations so completely.